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I: “Immigrant Song” A punchy opener, this hard-driving paean to the Vikings has densely-orchestrated banshee wails, tin-can beats and frenzied piano cadenzas. It also has a Beethovenian development section with motivic fragmentation and surprising modulations. |
II: “The Rain Song”
The most gorgeous, epic, larger-than-life ballad to emerge from the 1970s. The balance of power and tenderness is perfectly suited to a symphonic treatment with the melody traded between the piano and the various instrumental families. |
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III: “Kashmir”
Guitarist Jimmy Page and vocalist Robert Plant took their iconic song into new territory in their performances with Arabic musicians in the 1990s. The concerto runs with that idea, incorporating folk music of Kashmir, devotional music of Pakistan, and rhythmic motifs from the Indian tradition. |
CLASSICAL PROGRAM
Wagner, Ride of the Valkyries Kingsland, Kashmir Concerto Holst, The Planets or Mozart, Overture from Abduction from the Seraglio Kingsland, Kashmir Concerto Mussorgsky/Ravel, Pictures at an Exhibition |
EXOTIC CLASSICAL PROGRAM
Bizet, Carmen Suite no. 1 Kingsland, Kashmir Concerto Rimsky-Korsakov, Scheherezade or Ravel, Rapsodie Espagnole Kingsland, Kashmir Concerto Debussy, Nocturnes |
WORLD MUSIC PROGRAM
Revueltas, Sensemaya Szymanowski, Songs of a Fairy-Tale Princess (for soprano and orchestra) Kingsland, Kashmir Concerto Dvorak, New World Symphony |
POPS PROGRAM
Since the Kashmir Concerto exists at the intersection of musical worlds, it could either serve as the “more-pops” piece on a classical program or as the “more-classical” piece on a pops program. Audiences who are familiar with the original songs will be excited to hear a truly fresh take on the material, while orchestral subscribers will be pleased to hear a crossover piece with truly symphonic writing. The piece could fit well on either a program of all rock music or a more diverse "popular music through the ages" concert. |